Flautist Alexis Kossenko’s latest offering is evocative, impressionistic: a programme in which flute, piano and voice together have pride of place. In the company of Anna Reinhold, Sabine Devieilhe, Magali Mosnier and Emmanuel Olivier, Alexis Kossenko blends melodie and chamber music through a fascinating programme that explores the various influences of French music in the early twentieth century. From Ancient Greece (with Maurice Emmanuel’s Odelettes anacréontiques or Debussy’s very famous Syrinx) to the Orient, with Jacques Ibert and Maurice Ravel (Asie), the musicians deploy a great color palette, to the image of Monet or Renoir’s vivid paintings.
The result is a fine picture of French music at the time of Debussy. Music in all its clarity, refinement and transparency.
1. PHILIPPE GAUBERT Soir païen
JACQUES IBERT Deux Stèles orientées
2. I. Mon amante a les vertus de l’eau
3. II. On me dit…
4. ANDRE CAPLET Une flûte invisible for voice
MAURICE EMMANUEL Trois Odelettes anacréontiques op. 13
5. I. Au Printemps
6. II. À la Cigale
7. III. À la Rose
8. ANDRE CAPLET Écoute, mon cœur
9. MAURICE RAVEL “La Flûte enchantée” (from Shéhérazade)
CHARLES KOECHLIN Sonate pour deux flûtes op.75
10. I. Assez lent
11. II. Allegretto scherzando
12. III. Final
ALBERT ROUSSEL
Deux Poèmes de Ronsard op.26
13. I. Rossignol, mon mignon
14. II. Ciel, aer, et vens
Les Joueurs de flûte op.27
15. I. Pan
16. II. Tityre
17. III. Krishna
18. IV. M. de la Péjaudie
19. MAURICE DELAGE Hommage à Roussel
20. CLAUDE DEBUSSY La Flûte de Pan (Syrinx)
21. CHARLES KOECHLIN “Le Nénuphar” (from Poèmes d’Automne, op.13)
22. GEORGES HUE Soir païen